The videos listed opposite are a selection of pieces from 1998 to the present. The earlier videos concern depiction and representation by investigating shifting focal planes, depth perception, cues for orientation and various shooting or editing strategies. From the video Colour Bars (2004) onwards Simon Payne has made hard-edged, abstract graphic video works that involve clashing colour-fields, bold transitions and highly structured frame-based sequences. They explore striking modes of cinematic abstraction in which separated planes of colour are forced to mix, forms come together and disperse, and inexplicable motion effects preside over ‘moving images’. In their different methods of shaping the reflected light of video projection, his work often shifts the viewer’s focus to the edges of the screen and the illuminated screening space.